Liminal Digs

Liminal Digs

Liminal Digs

LIMINAL DIGS is the name of the collaboration between singer-songwriter and vocalist, Mama Crow, and producer, Daniel Lofredo Rota. The duo brushed hearts at an Oakland coffee shop and soon thereafter began to produce a series of tracks, the first of which, "Unwritten," was the beginning of their debut EP, "Dragonfly." Combining Meticulous production, and soulful vocals, they traverse the liminal, residing in the boundary between instrumental and electronic, and exploring the limits of the eclectic. Liminal Digs is a fusion of anarchy and control, strength and vulnerability, eloquence and silence. Lofredo's deep ambience and sonic space is punctuated by the Gutierrez's delicately fierce lyricism, creating a space where ideas, love, and soul flow freely and dance in spacious atmospheres, like smoke.

MAMA CROW- A New York native and East Bay transplant, this self-taught guitarist and soulful songstress evokes listeners on a deep, soul level. Her sound is a mix of rhythmic, funky finger picking and string slapping, guttural blues belts, quick lyrical flow with insidious phrasing. She has an authenticity and realness that will startle you. She cares only about art, creativity and “cawing it like it is” while bringing forth an honest and uplifting message. She expresses herself through many styles from neo-soul, blues, jazz, acoustic, folk-rock, electronica, dub-step, down tempo, hip-hop, dance, poetry. Always singing a mix of all original lyrics and on the spot free style- this original artist leaves a stirring inspiration where ever she goes.

DANIEL LOFREDO ROTA- Born and raised in Quito, Ecuador, Daniel Lofredo Rota moved to California in 2005, and has since resided in the back and forth. His work is fundamentally exploratory, seeking to create environments where ideas can be experienced. His music, poetry, and visual work recurrently visit the abstraction of logic, anarchic control, fluidity and the rigid, emotional reason, with a quixotisism which is only his; a place where apparent opposites express the humanist surface tension upon which expression hinges.

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