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Support Mooncake’s new album campaign

Posted on April 7, 2013 by fluttery
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Mooncake’s new album is almost ready and they need your help for mixing and mastering.

So, they have started an crowd funding campaign on Indiegogo.

Please click the widget on the left, or here

Here is their letter:

We are Mooncake – Russian instrumental art- and space-rock band.

You’ve known our band for almost 7 years now. We’ve always been doing our best at what we are good at – that is composing, recording and delivering our music to you. We are very grateful to you for the support you’ve been showing us all these years. We do value this feedback.

We, as well as you, are longing to release our second, long-expected album. We’ve been recording the LP for almost two years now at three studios in Moscow and Riga, having engaged dozens of high-profile specialists – musicians, sound engineers, etc. Today we can say that the recording of the album is finished, but, frankly speaking, we are out of resources, especially money. What is left to be done is mixing and mastering.

We’ve never asked for any help of yours, but now we do need one and that is why we appeal to you – to all those who support us and value our music. We are 100% sure that except you no one can help us out this time. With your support we all will be able to hear new Mooncake’s album by the end of this year.

Spread the word online and from person to person. We count on your help!

Yours,

Mooncake

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Posted in Uncategorized | Tagged best instrumental post rock bands, best post rock, best post-rock albums, crowd funding, indiegogo, instrumental, instrumental post rock, instrumental rock music, mooncake, post rock bands, post rock blog, post rock music, post-metal, post-rock, post-rock label, post-rock store, postrock albums, progressive, progressive music, progressive rock, stream postrock | Leave a reply

Arms Of Tripoli, Maserati, Beware of Safety go live!

Posted on March 3, 2013 by fluttery
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This coming Tuesday, Fluttery Record’s Arms of Tripoli are going to be sharing the stage at The Satellite with none other than Georgia’s finest… The one and only MASERATI. Another great, LA based instrumental band, Beware of Safety, will be performing as well.   If you’re available Tuesday, come out and see this amazing lineup in action!

satellite-logo-fb

 

The Satellite
1717 Silverlake Blvd
Los Angeles, CA
$10.00 – $12.00

Get The Tickets

 

 

About the bands:

Arms Of Tripoli

Fluttery Records artists, Arms of Tripoli is an instrumental band (genre: post/math rock) from Los Angeles consisting of members from various LA based bands, including Signal Hill, The Lights From Here, The Half Mantis Group, and Naked in the Dark. The band was forged under the premise that the most prolific and profound music is created when a strong spirit of collaboration is present. Thus, the band features an ever revolving line up of musicians and artists that accompany its primary members in all aspects of artistic development. It is at its core a creative outlet for everyone, exposing a new and unarchived musical experience for everyone to enjoy. The group, as it stands, officially began in July 2011. Listen & Buy Arms Of Tripoli music

Maserati

Formed at the edge of the new millennium, Maserati is as sleek, sexy and sophisticated as the legendary Italian sports car it takes its name from. It is fitting, then, that the band has dragged the glory years of psychedelic arena rock kicking and screaming into the 21st Century, with the pomposity (and vocals) carefully removed. In its place are white hot flashes of light pulsing to an unstoppable rhythm that will make you want to punch air and drive really fast in a car with wings instead of doors.

Beware of Safety

Beware of Safety made the conscious choice to create instrumental music. To create sounds that words could not express. To leave out the vocal monologue that is without interpretation or insight, but instead, create music which traverses emotional and textural hollows that teeter between concealment and proclamation; between rapture and affliction; between conviction and deprivation; between opulence and destitution; between choice and coercion; between boldness and apathy. Beware of Safety calls the unspeakable from it’s hiding place and imparts it to their listeners with gentle tact and deliberate action. The inexpressible has found it’s voice.

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Posted in live shows | Tagged alternative rock, Arms of Tripoli, best instrumental post rock bands, best post rock, best post-rock albums, Beware of Safety, indie-rock, instrumental, instrumental music, instrumental post rock, instrumental rock music, listen post-rock, listen postrock, Maserati, post rock band, post rock bands, post rock blog, post rock music, post-metal, post-rock, post-rock label, post-rock store, postrock albums, progressive, progressive music, progressive rock, stream postrock, The Satellite Club Los Angeles | Leave a reply

Elara’s “Soundtrack For a Quiet Place”

Posted on February 2, 2013 by fluttery
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Elara is a post-rock band from Italy which has heavy ambient and modern classical influences. The band Luigi Cerbone (Guitar, electronics, sounds & programming) was the founder, he first released an EP called “Starry night in a cold November” by himself in 2008.

Soon he met Alessio Tozzini (Bass) and Vincenzo Barbone (Drums) and they have been playing as a band since 2011. Band members told that band was result of the changes in their musical styles and concept and moreover, soon after that, “it came a moment of breathing space, the quest of peace and serenity.”

These are the questions asked by the band:

“Is it possible, if only for a moment, to forget the frenzy of life?

Is it possible, at any time, anywhere you are, whatever you’re doing, to take your mind back to the most exciting places you’ve ever seen, from the horizons that you have touched, to the nature that surprised you, to the single beat of the Earth that has allowed you to understand that whatever obstacle you’re facing, somewhere there`s a lovely personal place where you can find peace and quiet?”

Elara continues:

“We tried to give shape to this need of the soul, notes and melodies, crescendos and atmospheres, which allowed us to fix forever the memory of those places and those emotions, which allowed us to create our own “Soundtrack For a Quiet Place.”

The band decided to record a brand new 3 songs EP at the Domination Recording Studio based in the Republic of San Marino. Afterwards Greg Calbi, Senior Mastering Engineer at the Sterling Sound of New York, completed the mastering of the EP.

Elara is set to release their second EP “Soundtrack For a Quiet Place” with Fluttery Records in winter 2013. 

We hope that lovers of Fluttery Records bands like Mooncake, La Gran Perdida de Energia; and other bands like Sigur Ròs, Amiina, Explosions in the Sky, Caspian will love this band as well.

Listen to this EP

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Posted in announcement, news | Tagged alternative rock music, Amiina, best instrumental post rock bands, best post rock, best post-rock albums, Caspian, Elara, Explosions in the Sky, indie-rock, instrumental, instrumental post rock, instrumental rock music, listen post-rock, listen postrock, new indie bands, post rock band, post rock bands, post rock blog, post rock music, post-metal, post-rock, post-rock bands from Italy, post-rock label, post-rock store, postrock albums, progressive, progressive music, progressive rock, Sigur Rós, Sterling Sound of New York, stream postrock | Leave a reply

Track by track Mémoire

Posted on January 16, 2013 by fluttery
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Gonçalo Pereira of “How Comes The Constellations Shine” explains motives and stories behind the new HCTCS album “Mémoire”

“Overture was the final song recorded for the demo-album Precious Precious Silver Gold, released as free download in early 2010. This song was one of band mates favorite, but, the band never played this song. Overture is the only that was written with my fellow mate Tito. The guitar line in the beginning on the song was written by Tito during a rehearsal. At home, i wrote the rest of the song and recorded the whole song in one night. This is a special song. This could be a special song if we still together as a band. God only knows. ”

Listen    Buy

“School Days is one of my favorite song ever. It was recorded at the same time as Alaska. I was in May 2008, just before buying new gear because in the beginning of this year all my gear was stolen. So, with new pedals and my beloved Boss GT-6, i started to write and record about ten new songs since the last one recorded, (Motherfuck). School Days was entirely composed with keyboards and and a lot of drum loops. I need to listen this song a lot of times until i get the right guitar pieces to put on.”

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“Alaska. I love this drum loop so much. When i heard this loop, i started immediately to work on a song with this drum loop. At this time we wanted to use a lot of pianos to support our songs. So, i recorded this piano loop and then all things change. The guitars were very simple, just three chords and a second guitar with a lot of delay make the main line of this song. We open the Mub Festival with this song. It was the only moment we play this song. But it’s still one my favorite.”

Listen    Buy

“Leave The Heart That Now I Bear. This song was recorded right after Belongs To Mafra release.
I recorded a few songs just with guitars planning a future extended play to be released but i guess that this song matches with the old songs. Actually, this song is three songs in one. I recorded the first guitar line to be a completely different song. Then i recorded another guitar lines in the same project. For a while, a quit finishing this song, but when i re-open this project, i realized that this could be one song.

Listen     Buy

“Motherfucker is the first song written with the piano. After a week listening to this piano line, I started to add some guitars with a lot of delay, reverb and using a volume pedal. Then for the chorus i recorded up to five guitars including an acoustic one, and pushing up over the phrases the amount of distortion. This song was the last song recorded with my favorite guitar, a blonde Telecaster which was stolen after a rehearsal in january 2008. That guitar was my favorite one. I guess the name of this song came after that.”

“She’s Blonde And She Says Uau A Lot has a lovely organ for the base. This song was written to be a kind of waltz or ballad or something like that. A song we could dance after dinner, slowly with our beloved one. Of course i was pushed to lift up the song to a massive distortion a the same drum loop compressed at the limit. This was the last song i recorded with my old Telecaster and the old recording gear.”

“Shattered Glass we always wanted a song with pianos, synths, loops and ambient sounds. We always wanted a song with simple drums. We wanted a crescendo based song. I wrote this song at the same time as i was working on a self side project called Arundel. When i finish the songs for Arundel demo EP i realize that Shattered Glass should be a Constellations song.”

“The Wind Will Carry Us. I guess that this song is the real image of Constellations as a band, as friends, as brothers. When we played this song live for the first time it was the best moment in our lives. When i was thinking about releasing this album the main idea was recording all this songs as new ones. This collection of songs were the best that i ever wrote and they are the true history of this band. But, honestly, after a few years, they sounded so fresh and so beautifully. They pictured five years of this project as a but, no matter if we never played most of them together. But all of this songs were the songs of our dreams, were the songs we heard a million times in our car. Why should I change this songs? This song is with no doubt, the most important song of How Comes The Constellations Shine as a band. And now that we no longer exists as a band, The Wind Will Carry Us is still our song.”

“On Rascals is recorded when I moved for my new house with my eventual wife. It was in the summer of 2008 after our first gig with this formation. A song with a solo. I recorded this guitar solo in one take. To play this song live, i needed to learn again that solo for a week. But when all learned the song it was, wow, a huge huge wall of sound. One of the greatest moments we ever had.”

“Western Media Avenue‘s the main guitar was written in 2009. We played this song in our third gig. I remember when we were playing this song, a girl was on the floor, with eyes closed, and she’s was dancing alone along the song. A magic moment. But after that concert we throw away this song because the notes were the same during the all song and started to be boring for us play that. But I still love this song, the drums getting bigger along the song. I always imagine a race when I listen to this song. This song is like a see you soon guys. It´s the closer song of this album, and I know, it will be the opening one for a future, brothers.Mémoire is the summary of all these years of work.”

Listen to all album or buy

 

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Posted in release | Tagged ambient music, best instrumental post rock bands, best post rock, best post-rock albums, cinematic music, How Comes The Constellations Shine, instrumental, instrumental post rock, instrumental rock music, listen post-rock, listen postrock, modern classical music, post rock band, post rock bands, post rock blog, post rock music, post-metal, post-rock, post-rock label, post-rock store, postrock albums, progressive, progressive music, progressive rock, stream postrock | Leave a reply

Story of How Comes The Constellations Shine

Posted on January 16, 2013 by fluttery
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Gonçalo Pereira tells about the whole story of How Comes The Constellations Shine.

New HCTCS release “Mémoire” is out. The album contains outtakes from the projects history. If you haven’t heard it yet, take a listen, buy or download here. Let’s listen to Gonçalo and refresh our memories.

“We were young and ready for rock. My guitarist and best friend Tito, listen to my songs for a long time before join the band in mid 2006. We met at a record store where I started to work. I knew a friend in common that Tito listen to my songs and love them. One night we decided to work together in what will be my supposed debut album. Tito will be the producer and we moved to his home studio to record that album. After a few sessions, we just have recorded a guitar line and set some beats. We never finished that album. In early 2006 I recruited four friends to start the band.

But the band did not worked as i planned so, some member disbanded after a few weeks and we set as a four piece. My long time friend André Abreu replaced the original drummer and Tito was called to join the band as guitarist. The band work every week in my songs and in a few songs that we have written together. In mid 2007 we played our first gig ever. During this year we have continued working in our stuff but our relationship was not the best. I always wanted the best guitar lines, the best drums and a superb bass to balance my songs. My position in the band was getting bad with a lot of discussions. I was the one who wanted to be part of the best band of our music scene. I wanted to be the best and I wanted the band to do the things with my vision. Of course things did not work as i wanted and our bassist quited. We leave the band for a while.

 In april of 2008 me, André and Tito started to work as a trio. But as you know, working in this kind of music without a bass is almost impossible to get good results. So, we put a add in the web asking for a bass player or a third guitarist. After three mouths, Nuno Fragoso replied to the add. We were back in town again. Just with a few weeks to rehearsal, we accepted an invite to play in a festival in July 2008, Mub Festival Braga. Fragoso learned all the songs in two weeks and we head to Braga to play after one year since our last concert. We played Alaska to open the concert. It was the only moment we play that song live. After that we started to work in new songs. On Rascals and Western Media Avenue were the songs we played in our second gig. Our second gig was in october 2008 in one of the best venues in Lisbon, Santiago Alquimista.

 In 2009 we played our third gig in a club in Lisbon. The show was great, we have a lot of new songs and our sound was getting better since the last gig we had. 2009 was the greatest year of band life’s. For the first time our songs were written together as band. We wrote a wonderful songs called Helena and Bishop Ate The Pope. Those two songs were the best thing we have done as a band and I know that if we had continued together until today we could be a great band in our country, we could be one of the great post-rock bands in this little country called Portugal. But, past is the past and as we all know, the show must go on. In 2010 our bassist left the band, and we continued as a trio for a short period. In 2011 my fellow mate Tito left the band as well. After that, i wrote and recorded Belongs To Mafra.

 André asked me to recruit some people to continue the project, so after a few conversations and one audition we reformed the band with a new guitarist and a bassist. Our sound changed dramatically. We were playing short but loud songs. Our sound turned more powerful than ever but less dramatic, less melodic, less cinematic, and in a sort of way, we lost our passion, love and chemistry. In the end of 2011, How Comes The Constellations Shine broke up for the last time and became again to it’s original form.”

Listen to new HCTCS album

Listen to previous album Belongs to Mafra

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Posted in news | Tagged ambient music, best instrumental post rock bands, best post rock, best post-rock albums, How Comes The Constellations Shine, instrumental, instrumental post rock, instrumental rock music, listen post-rock, listen postrock, modern classical music, post rock band, post rock bands, post rock blog, post rock music, post-metal, post-rock, post-rock label, post-rock store, postrock albums, progressive, progressive music, progressive rock, stream postrock | Leave a reply

Best album covers of 2012: Ana Never is in the ACL’s selection

Posted on December 22, 2012 by fluttery
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A Closer Listen has announced their best album covers of 2012 list. Fluttery Records artist Ana Never is in the list. Their latest album Small Years is a real post-rock masterpiece. If you haven’t heard this great album, you can listen to it here.

Collaboration and Dedication
Goran Grubisic of Ana Never: There are three photos of our latest release. All the photographs on the cover is by Goran Popović – Coga, our dear friend from our hometown Subotica (Serbia). His work you can find here. The final design is by our also dear friend Damir Lucic, known as Damir Rijovich Originalov.

I do not know what else to mention; it’s hard for me to talk about this, because our photographer unfortunately died of heart attack ten days before date of releasing of our record.

So we dedicated this record to him.

Listen, buy or download this album

Check the entire list

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Posted in news | Tagged A Closer Listen, ambient music, ambient music blog, Ana Never, best album covers, best album covers of 2012, best albums of 2012, best instrumental post rock bands, best post rock, best post-rock albums, drone music, instrumental, instrumental post rock, instrumental rock music, listen post-rock, listen postrock, post rock band, post rock bands, post rock blog, post rock music, post-metal, post-rock, post-rock label, post-rock store, postrock albums, progressive, progressive music, progressive rock, stream postrock | Leave a reply

Japanese post-rock duo Gargle collaborates with Bosques de mi Mente

Posted on December 21, 2012 by fluttery
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Tokyo based post-rock duo Gargle has started working on a collaborative album wih Bosques de mi Mente. As you may already know, Bosques de mi Mente is a Spanish modern-classical artist. Fluttery Records will be working on releasing and promoting the album, as soon as we receive the recordings.

We poked our big nose and tried to learn what the album is going to sound like. Readers of our blog and all the post-rock / ambient / modern classical fans need to know! Being a fan ourselves we are also very excited. We contacted Jun Minowa of Gargle and he gave us some clues. He said “We are focusing on composition, consisting mainly of strings and piano, adding ambient noise by guitars and accordion.”

Both artist are known for writing great compositions which are emotionally touching. Let’s wait and see what is this collab is going to bring. While waiting for the new album, enjoy Gargle’s 2012 album Glow in the Gloom. 

The photo you see above is from strings recording session for the collaboration album.  Gargle members said that they will have another strings recording session next month.

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Posted in news | Tagged ambient music, ambient music artists, best instrumental post rock bands, best post rock, best post-rock albums, Bosques de mi Mente, cinematic music, contemporary classical music, Gargle, instrumental, instrumental post rock, instrumental rock music, listen post-rock, listen postrock, modern classical music, post rock band, post rock bands, post rock blog, post rock music, post-metal, post-rock, post-rock bands from Japan, post-rock bands in Japan, post-rock bands in Tokyo, post-rock label, post-rock store, postrock albums, progressive, progressive music, progressive rock, stream postrock | Leave a reply

Italian instrumentalists Amp Rive release their debut: Irma Vep

Posted on December 14, 2012 by fluttery
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Italian post-rock band Amp Rive

Amp Rive‘s music can be described as post-rock with a strong focus on melody, mixed with hints of shoegaze and dreamy dissonances. Energetic, pure and elegantly melodic dynamism. Precise, functional, but never trivial rhythmics.

 The band was founded in 2006 by Luca and Adriano. The band went through several lineup changes during the following 5 years, before releasing their debut. The current lineup is formed by: Luca (guitar), Gualtiero (guitar), Alessandro (bass), Chicco (synth), Riccardo (drums).

 In 2009 they composed an original soundtrack for the silent film “Vampyr” (C.T. Dreyer, 1932), then performed live in various film festivals around Italy with great success.

 The band spent 2010 writing the songs for their debut album, Irma Vep.

The recordings took place at Audio Factory / Correggio, Italy. They have finished recordings and in January 2011, the recordings arrived United States. The tracks were carefully mastered in Carl Saff Mastering Studio, Chicago. The album was first released by independently by the band members and received good reviews. Soon after, they have signed a recording contract with us and became the new members of family. Here we present the debut work and let’s have a look at what others say about them:

 ”Amp Rive plays a pure, elegant form of post-rock, which is hard stuff to find nowadays.Their debut album has the grace and delicacy that are essential for it to be called a great album. The sounds are calibrated to move in the same direction, and they get more and more intense each time you listen.Amp Rive shows that it’s still possible to come up with great instrumentals. (Rockit)

“Post rock with peacefully reverberated atmospheres. Six tracks that are transparently enchanting”. (Rockerilla)

 ”If someone ever asks you to explain the idea behind post-rock in words or theories, don’t even try. The answer is all in this album. A modern instrumental classic, it fascinates the listener with its poetry”. (Rockambula)

 ”An instrumental album with catchy melodies that put you back in touch with your feelings, with the moments when the music just gets inside you”. (Musica Rovinata)

 ”An excellent debut album with post-rock flavor in considered, concise tones, where proper maturity and unwavering passion shine through in every track” (The Cave)

 ”Impetuous, incredibly lively post-rock that wins you over as time goes by” (HateTV)

 ”Compellingly melodic, this instrumental post-rock offers peaks of energy and drive which make it really pleasant to listen to, and it never gets monotonous”. (Sound Magazine)

 ”Straddling psychedelia, this post-rock is electric and dynamic, and has a strong penchant for melody. It hits directly between mind and heart, a place that other albums rarely aim at”. (Rock Impressions)

 ”You can’t find anything bad to say about this album. It all flows perfectly, as clean guitars segue into distorted guitar work, and the feeling just gushes out”. (Shiver)

 ”A worthwhile album with very good technique, ‘Procession’ and ‘If’ are the nicest, most exciting tracks”. (Ondalaternativa)

 ”Exciting crescendos and awe-inspiring overtures, with balanced arrangements and unshackled instrumental power” (Salad Days)

 ”An album you’ll listen to again and again and again, as you lose yourself in its reverie”. (Lyezine)

 ”Refinement upon refinement are skillfully introduced as the tracks follow one another. These small “licks” embellish the beautiful melodies of the songs and plant them firmly in your mind” (Radio Nunc)

Listen, buy or download this album

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Posted in Uncategorized | Tagged Amp Rive, best post rock, C.T. Dreyer, instrumental, instrumental post rock, instrumental rock music, listen post-rock, listen postrock, post rock band, post rock bands, post rock blog, post rock music, post-metal, post-rock, Post-rock bands in Italy, post-rock label, post-rock store, postrock albums, postrock bands on tour, progressive, progressive music, progressive rock, silent film “Vampyr”, stream postrock | Leave a reply

Debut of Russian post-rockers Neko Nine

Posted on December 14, 2012 by fluttery
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Post-rock band Neko Nine

Neko Nine’s post-rock / post-metal aesthetics are made of peaceful melodies & distorted harsh guitars, atmospheric sound space and nasty drum beats. Their music also contains unique results of the experimentation of new possibilities for post-rock sounds.

The band is from Yaroslavl which is a city and the administrative center of Yaroslavl Oblast, Russia, located 250 kilometers northeast of Moscow. The historic part of the city, a World Heritage Site, is located at the confluence of the Volga and the Kotorosl Rivers.

Russian band was started by Seva Shaposhnikov in 2009 as an one man project. After three years of composing and recording process he decided that the project may not go on functioning like this in the future. It became a four piece band in December, 2011: Seva Shaposhnikov (guitar, vocals, samples), Andrey Kuznetsov (bass), Roman Veselov (guitar), Aleksandr Danilevsky (drums).

Neko Nine - Summer Is You - Post-rock album

Like our other release this month, Neko Nine’s “Summer is You” was first released independently by band members. The band signed a recording agreement with us in 2012 and now presenting their debut album to the world.

The band members have already started composing new songs for their upcoming album. “Summer is You” is thirteen track album to enjoy before the new one comes.

We recommend this album if you also like Maybeshewill, 65daysofstatic, Long Distance Calling, God is an Astronaut, Exxasens.

Listen, Buy or Download this album

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Posted in announcement, release | Tagged 65DaysOfStatic, best post rock, Exxasens, God is an Astronaut, instrumental, instrumental post rock, instrumental rock music, listen post-rock, listen postrock, Long Distance Calling, Maybeshewill, Neko Nine, post rock band, post rock bands, post rock blog, post rock music, post-metal, post-rock, post-rock label, post-rock store, postrock albums, postrock bands on tour, progressive, progressive music, progressive rock, stream postrock | Leave a reply

Marionette ID disbands…

Posted on November 30, 2012 by fluttery
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Marionette ID - Post Rock

Hungarian post-rock / post-metal band Marionette ID announced that the band is no longer active. Sad, isn’t it? Here is their letter:

“F A R E W E L L

Dear Friends,
There is no easy way to announce this: the story of marionette ID has come to an end. No secret about it, one of us can’t cope with the tasks of being in a band any more, which finally led to the band’s break-up in peace. After releasing two albums, touring, playing shows and making friends in independent music scenes from all over the world, we have to say that it would not have been possible without you. All our fans, friends, tour promoters, organizers, bands, record labels in Hungary and abroad: words cannot express how much we appreciate your support and love. Our deepest gratitude goes to anyone who ever felt touched by our music or took the time to have a couple of nice words to us. You’ve been the greatest inspiration ever.

We love you all and you’ll be missed a lot.
Thank you for listening, liking and sharing.
mID”
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Posted in Uncategorized | Tagged best post rock, instrumental, instrumental post rock, instrumental rock music, listen post-rock, listen postrock, Marionette ID, post rock band, post rock bands, post rock blog, post rock music, post-metal, post-rock, post-rock label, post-rock store, postrock albums, postrock bands on tour, progressive, progressive music, progressive rock, stream postrock | Leave a reply

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