Diamond Gloss comes with his third album “Primavera”


Gonçalo Pereira (born 1984. Lisbon, Portugal) is a multi-instrument player, post-rock, ambient electronica musician and producer.

Pereira first started as the frontman of the post-rock band How Comes The Constellations Shine before establishing himself as a solo artist under the moniker of Diamond Gloss.

His sound and melodies incorporate elements of modern classical, electronica, idm, ambient, and post-rock music with live instrumentation. His musical identity was especially influenced and shaped by Autechre, Hammock, Sigur Rós, Helios and Múm.

Primavera is the third album by Diamond Gloss. The album differ from the previous releases. The sound is more organic, the piano is definitely the main instrument. Primavera is the logical step forward from 2014’s Nomawkish, details and string arrangements were carefully written and recorded. For the first time in a Diamond Gloss album, a second musician appears on this new release. A long time friend of Gonçalo Pereira, the violinist player Maria do Mar, accepted the invitation and helped Pereira on strings arrangements. The photography and artwork design has been made by his long time collaborator, Paulo Romão Brás.

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Secoya says “World is Yours”


Secoya is an ambient / experimental project of George Robinson, a producer from Bristol, UK. He started his musical journey by playing piano at early age. As he grew older, he discovered different types of music and different methods to create them. His music is often lo-fi and reflects a mixture of the surroundings of the countryside, where he lives and the darkness of the city, where he also spends much of his time. This combination of ambient, experimental, lo-fi and classical aims to capture and evoke certain emotions.

There are commonly extensive dynamic changes in his music. These contrasting atmospheres develop his nostalgic and melodic brand of ambient music.

Listening to Secoya is like a gate opens to past but not just his. Get ready go through old movies, amusement parks, dusty things in the attic.

The World is Yours is the second album by the British composer / musician George Robinson, also known as Secoya, following his 2015 release, Ghosts. Since he wrote the music that became Ghosts, he has created a lot of music and feels that this practice has enabled a greater musical competency and understanding of composition.

The album differ from his previous album in that it is greatly influenced by classical music, putting strings and choirs at the forefront. Robinson has maintained his ability to write relatively cozy and sincere songs but has also allowed himself to add greater complexity. He feels strings and similar acoustic instruments are underused in synthesizer dominated ambient music, and that there was space to create acoustic based ambient music.

The songs convey a wide range of emotions from despairing sadness to joyous euphoria, continuing Robinson’s tendency to add emotion to his music.

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Okada’s darkly cinematic debut album


While the weather is getting hotter in May, we come with a breath­taking ambient & electro acoustic record. We never release any album we don’t really like for any reason, all the albums in our catalogue are the albums we think they are the albums which must be in our personal music archive as well. Okada label debut is even beyond that, it has already become one of our favourites of ambient & electro­acoustic genres.

Okada is a project by Greg Pappas from Alabama, US. Initially known to the music world as ZXYZXY, Greg used it as a vehicle for experimentation and refinement of his writing technique while dabbling in electro­acoustic, ambient, post­rock and even wonky genres. It wasn’t until the Summer of 2014 that he felt his music clicked into place seemingly out­of­nowhere under Okada.

This time around the only constant in the creative process was that there was no focus on any one way to bring out the music. No guides. No genre sign posts. Just as long as the road to the final product was a visceral experience.

Okada (album) is darkly cinematic, but it’s never bleak or depressing. In fact, the bubbly female vocals haunt the music, lifting it up with caring hands out of the dark mire and into a subdued electronic coloring that sits easily with the listener. It’s a bruise that discolors the music’s original pale skin, her original pale genre, and the vanilla blooms into a new, shady gem right in front of our eyes. The low, dull sound of classical instrumentation has been brushed aside like a September cobweb, cleaned of its original timbre. An ambient layer peels itself away, and later a hushed electronic beat shuffles itself and the music forward, proving that electronic rhythms can indeed be subtle, caring and sophisticated.

Conflicting emotions cycle through the music. It can lead to serenity but it can also bring a flood of intense love. It’s gentle, fragile, the cycling beat and the melancholic black and white notes flowing naturally, freely. It’s graceful music that lives and breathes a seemingly simple life in the face of musical complexity. There are a lot of layers underneath its surface; a slowly shifting labyrinth of sound that continually takes you by surprise.

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Inner Trip’s Moments of No Time


Inner Trip is a project from Iran created and represented by Saman N (born in 1984, graphic artist and musician).

Saman’s third album “Moments of No Time” is a next step on a journey which began with his debut album “Somewhere Near the Pulse”, released by Fluttery Records a few years ago.

This album contains seven tracks with seven different atmospheres but under the same genre of electronic music and mostly with down tempo cinematic elements. The title of each song is related to the particular scene Saman had in his mind during his musical journey while recording the tracks.

One thing that Saman N tries to achieve with his music is to create imaginary images for audience. That’s why his music floats over different genres from Soundtrack to Trip Hop. He believes making music is like painting. You might choose just one or two colours for your entire canvass or you may decide to use all the colours in your palette for just one scene.

The most important thing is what art looks like at the end and the way it exposes your inner word. Individuality could be the identity of any type of art. With “Moments of No Time”, Saman did once again follow his inner voices to depict a new scene raised of the individuality of the artist.

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Cold Cold Heart debut is an album to adore


Cold, Cold Heart is a post-rock / ambient band from London, UK. Robert, Chris and Adrian assembled in early 2014 out of friendship and a shared admiration for bands such as Stars of the Lid, Low and Sparklehorse. What started as a simple coming together to craft percussionless compositions in a spare bedroom turned into something more focused after recognition for their first release, ‘Stand/still’. Encouraged by appreciation from Simon Raymonde (Bella Union, Amazing Radio) and Kara Manning (Rolling Stone, WFUV Radio) amongst others, Cold, Cold Heart was born.

‘How the Other Half Live and Die’, as a collective work, is built around the concepts of love and loss. In ‘Megan’, ‘Anna’ and ‘Hannah’, the band have written songs that soundtrack the beauty and challenges in their romantic relationships, whilst ‘Stand/still’ and ‘An Elegy (for Martha)’ capture the sadness and nostalgia left behind in the wake of departed loved ones.

The album is Cold, Cold Heart’s shared soundtrack to life; to the fear and beauty in death; to infatuation and devotion; to the band’s personal battles with illness. It has been featured in various shows on BBC Radio 6 and become one of the most pre-ordered releases in the Fluttery Records history.

With Robert’s 10-year struggle living with multiple sclerosis a constant backdrop, delicacy and simplicity resonate in all that the band does. The most important instrument is the listener’s imagination.

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OP3’s “Hope” is a story you can feel


Our forth and last release this January is coming from OP3, what is a musical experiment­ based in Greece, addressing an ambient and atmospheric musical journey, borrowing elements from different genres of music such as modern classical composition, jazz, electro and folk rhythms all coming together to provide the listener with a unique audio experience.

Hope by OP3 from Greece is a concept album with a unique story written by Dimitris Mitropapas. A short and symbolic title that seems to be the best choice in order to fully express what the main theme of the album is all about. The storyline goes as follows: A girl named Melanie wakes up inside a strange room, in a futuristic city. She doesn’t seem to know the reason of her appearance there. Melanie tries to find a way to connect all the clues leading to this event as well as an escape out of there.

”The sound of the album is focused on the atmospheric, ambient elements provided by the minimalistic piano themes, haunting cello lines and heart­touching violin melodies. Electronics and the use of a variety of home made sounds, gave the album an even more unique “feel” to it.”

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The sonic world in Iván Muela’s “Unsound”

Iván Muela is a young multi-instrumentalist, composer and engineer based in London. His music relies heavily on warm sounding pianos, strings and abstract surreal sounds, ultimately resulting in a sway of beautiful melodies and fascinating textures. Perhaps influenced by being immersed in the lo-fi/punk scene, Iván brings this attitude to his music. Placing special emphasis in capturing the moment, his compositions are splattered with improvisation and chance. Iván is fascinated by the way technology can become an essential part of the compositional process, therefore pushing the rigid boundaries that for so long have characterised classical music.

The sonic world created by the young composer in “Unsound” is a swirl of emotions. The melodies and textures captured in its 11 tracks bring the listener into a different dimension in which feelings like desolation and hope walk hand by hand. This time Iván’s exploratory spirit took him to traverse new musical territories, blending classical-sounding passages with modern electronic elements. Unsound, Ivan’s most ambitious work to date, features several upright and grand pianos, modular synthesisers, guitars, bass, upright bass and even a 9-piece string ensemble recorded in a church.

While not being necessarily a conceptual album, Unsound is heavily inspired by the composer’s everyday life. Some tracks are little snippets of his thoughts, reflections of personal events and some sound passages are reflecions of life in a big metropolis. “Trying to find beauty in a hectic city like London is sometimes tough. Hope, worries, calm, bliss, elation, feeling like exploding inside… There are a lot of emotions put into this music but what each person makes out of them… that is very personal”.

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