Liminal Digs gives indie-rock & folk experimental hugs

Liminal Digs, American DuoLiminal Digs is the name of the collaboration between Singer-Songwriter and Vocalist, Mama Crow, and Producer, Daniel Lofredo Rota. The duo brushed hearts at an Oakland coffee shop and soon thereafter began to produce a series of tracks, the first of which, “Unwritten,” was the beginning of their debut EP, “Dragonfly.” Combining Meticulous production and soulful vocals, they traverse the liminal, residing in the boundary between instrumental and electronic, and exploring the limits of the eclectic. Liminal Digs is a fusion of anarchy and control, strength and vulnerability, eloquence and silence. Lofredo’s deep ambience and sonic space is punctuated by the Gutierrez’s delicately fierce lyricism, creating a space where ideas, love, and soul flow freely and dance in spacious atmospheres, like smoke.

Mama Crow – A New York native and East Bay transplant, this self-taught guitarist and soulful songstress evokes listeners on a deep, soul level. Her sound is a mix of rhythmic, funky finger picking and string slapping, guttural blues belts, quick lyrical flow with insidious phrasing. She has an authenticity and realness that will startle you. She cares only about art, creativity and “cawing it like it is” while bringing forth an honest and uplifting message. She expresses herself through many styles from neo-soul, blues, jazz, acoustic, folk-rock, electronica, dub-step, down tempo, hip-hop, dance, poetry. Always singing a mix of all original lyrics and on the spot free style- this original artist leaves a stirring inspiration where ever she goes.

Daniel Lofredo Rota – Born and raised in Quito, Ecuador, Daniel Lofredo Rota moved to California in 2005, and has since resided in the back and forth. His work is fundamentally exploratory, seeking to create environments where ideas can be experienced. His music, poetry, and visual work recurrently visit the abstraction of logic, anarchic control, fluidity and the rigid, emotional reason, with a quixoticism which is only his; a place where apparent opposites express the humanist surface tension upon which expression hinges.

Dragonfly is Liminal Digs’ first release. Its a short EP of collaborative songs which were recorded in a series of 3 hour recording sessions. The album is effusive and emotional, and also sublime and filled with lessons and wisdom. Mama Crow’s lyrics are imbued with a sense of virtue in the face of adversity, and they are carefully woven into a backdrop of spacious atmospheres and meticulous detail. The album is full of light, and is a sort of mantra for a spiritual restoration; a release of past burdens. It rings true and delicate and speaks elegantly to the beautiful adversity that makes life such an incredible and challenging adventure.

Mama Crow and Daniel Lofredo Rota began collaborating in late 2013 after a brief chance meeting at an Oakland coffeeshop. They planned a series of recording sessions, and, after the first 3 hours, had created their first track, “unwritten.” This piece of music is a fusion between Lofredo Rota’s Andean roots, and cinematic tendencies, and Mama Crow’s lyrical versatility, her love of harmonies, and her deep flowing lyrics. The Track is a mantra of hope and recovery and feels like a melancholic bird’s eye view of a past now gone, and would set the tone for the rest of the EP.

A deep genuine melancholy resides in their sound. it evokes the nostalgia and deep emotion of the sensitive soul infused with a sublime love of life, and true appreciation of the beauty of existence. This is at the core of this release. Genuine appreciation, beauty and poetry, space and sound, love. In a display of experimental fusion, acoustronics, Latin-Folk and Haunting Indie-Alternative; this mini-album is an expression of triumph; finding and holding onto self-love in a world which can be very cold at times. This collection of music was created out of pure authenticity and in-the-moment writing. There is nothing contrived here. Dragonfly is profoundly honest compilation that speaks clearly to the soul.

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Nomawkish flavoured journey back in time : Diamond Gloss

Diamond Gloss-blog

Gonçalo Pereira (born 1984. Lisbon, Portugal) is a multi-instrument player, postrock and ambient electronica musician, producer. Pereira first started as a frontman of the postrock band “How Comes The Constellations Shine” before establishing himself as a solo artist under the moniker of Diamond Gloss.

His influences travels among modern composers such as Arvo Pärt and Henryk Górecki, the ambient experiments of Brian Eno or his peers Autechre, Hammock, Sigur Rós, Helios and Múm. Composing music, he relies on help of pianos, microbeats, effectstreated guitars and musicboxes. His sound and melodies incorporate elements of modern classical, electronica, idm, ambient, and postrock music with live instrumentation. Listeners of ambient and modern classical artists like Jónsi and Alex, Hammock, Olafur Arnalds, Sigur Rós, Múm, Nils Frahm may find the atmosphere they are looking for.

Nomawkish is the second studio album from Portuguese ambient / modern classical project Diamond Gloss. Three years after debuting with “Bears”, Gonçalo Pereira returned to his studio to record new Diamond Gloss songs. The whole album was recorded in Lisbon and like on the first album, piano is the key instrument also on this recording. “Bears” and “Nomawkish” also differ in their moods, the former was more joyful and open, whereas the latter is more dark and introspective.

The recording of this album started with various loops recorded after “Bears” was released. The album was recorded entirely with piano and then layered with strings, dulcitone, choirs and ambient noises. Nomawkish offers a lo-fi feeling, almost like an old tape playing back on a walkman. This lo-fi production was an intentional choice for this album. Compared to Diamond Gloss’ previous work, this album is a logical step forward.

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Latvian ambient music strikes again: Astrowind

astrowind_4Kirils Lomunovs is Latvia based sound and video artist. Starting from the early 90­ties he represents essential experimental electronic music and alternative musical stage of Latvia.

For the last few years in consequence of his own activities his music was published in such countries as Germany, Italy, France, Denmark, Turkey, Spain, USA, Ukraine and Russia.

Deep interest of sound exploration led K. Lomunovs to participate and establish several dissimilar musical projects and to try to invent his own sound.

In the beginning of 90­ties he performed as a percussionist in different bands, including the Latvian cult Indie­Rock band Inokentijs Marpls . In the middle of the 90­ties he changed his direction to Dance­Punk acting in collective Yaputhma Sound System the popular and wide known in Riga those days. In the 2000’s he focused on sound research and confidently continued on his work in the field of experimental electronic music and actual sound art.

Being true to analog sound and experiment in the form of live improvisation with old Soviet and Japanese analog synthesizers and effects K.Lomunovs invented experimental and authentic music style ­ Paleopsychedelic ambient and also realized a Glitch­Hop project Kriipis Tulo. The style of Paleopsychedelic ambient brightly represented and continues to develope within Astrowind project established by K.Lomunovs in 2006.

“Somewhere The Music Had Been Played” represents Paleopsychedelic ambient again. Once issued on a net label „Resting Bell” as edited version in 2007 this feature certainly worth to be reissued in more „touchable” media today in full­length. Recorded on tape recorder during live improvisations at Tokctoka studio in Riga in August 2007, but it still represents contemporary sound.

All the tracks are left untreated and unprocessed as they were on original tapes. All were improvised on analog hardware. Analog synths and echo machines speak a language each one understands well. Astrowind brings out unordinary nostalgic melancholic paleopsychedelic experimental ambient music with a distinctly spatial nature and territorial associative relation to a region of Baltic Sea.

Starting the 2007 seven albums are published:
„The Night The Stars Flew”(2007), „Into Vernadsky” (2007), „Somewhere The Music Had Been Played” (2007), „Fresh Wind In The Valley Of Dreams” (2008, re­issed on Fluttery records in 2012), „Der Leuchtturm” (2008), „Kurland” (2009), „Kaidanovsky” (2012).

In 2012 in Italy the latest Astrowind album „Kaidanovsky” was published as a tribute to the great Russian actor and film director Alexander Kaidanovsky, which played a role of Stalker in worldwide known Andrey Tarkovsky movie “Stalker”.

Kaidanovsky was an extraordinary artist with incredible erudition and wide academic knowledge. He adapted works of Tolstoy and Borges in movies, participated the Jury of Cannes Film Festival in 1994.

Album dedicated to personality of Kaidanovsky and offers a collection of unconventional music for serious­minded listener, provides the alternative soundtracks to the movies of Kaidanovsky („Simple Death”, „Guest”, „Garden”, „The Ascent To Eckhart”), which maybe are less known to general public, than his actor`s works. Certain compositions are replicas to the main actor work of Kaidanovsky – the role of Stalker. Album in general could be taken as alternative soundtrack to “Stalker” movie too.

Part of this album was represented at the annual “Stalker Festival” in Tallin in September 2012. Festival takes place in a former industrial complex areas (nowadays known as Kultuuri Katel), which served as the scenery for Tarkovsky’s famous movie.

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Pre-orders start for Astrowind, Row Boat and Diamond Gloss

April is going to be an amazing month. We worked really hard not to keep you and our artists waiting. We decided to work extra long hours and release these amazing albums one week after another. You will see four new release by Fluttery Records in April. Here is first three.

astrowind-someehere300ASTROWIND
Somewhere The Music Had Been Played

The first release is a re-issue by Latvian ambient / electronic music artist, soundscapes engineer Astrowind. “Somewhere The Music Had Been Played” represents Paleopsychedelic ambient again. Once issued on “Resting Bell” in 2007, edited version this feature certainly worth to be reissued in more “touchable” media today in full-length. PRE-ORDER and hear

rowboat-inbetween300ROW BOAT
In Between

Row Boat has found his place under the gorgeous wings of Fluttery Records and he is releasing his new album on our label. Row Boat is a post-rock / ambient solo project by Mark Wardale. Mark cites several Scandinavian influences behind Row Boat, including classical Nordic sounds.  PRE-ORDER and hear the first track

Diamond Gloss-Nomawkish-300DIAMOND GLOSS
Nomawkish

Nomawkish is the second studio album from Portuguese ambient / modern classical project Diamond Gloss after three years. Gonçalo Pereira, return to his studio to record new Diamond Gloss songs which are just amazing. As different mood as “Bears”, which was a more joyful and open album than this new one. Nomawkish is more dark and introspective. PRE_ORDER and hear the first track

Release dates:

April 04, 2014 : Astrowind / Somewhere The Music Had Been Played
April 11, 2014 : Row Boat / In Between
April 18, 2014 : Diamond Gloss / Nomawkish

Again, April will be just amazing; with amazing music and new beauties. All you need is a little more hope and allowing more daylight in your life. Exicited! Excited! Excited!